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Psychological and spiritual context. This quest begins within Part II and Part III of the poem as the characters begin from the birth of man in order to divine the roots of their dilemma. However, within these two parts, Auden reveals the futility of their quest and the depravity that mankind has doomed itself to. While an attempt is made by the four characters later on in Parts IV and V to discover meaning through acts of love or intellectual reflection, the attempt fails due to the irreconcilable revelations that occurred in Parts II and III. Both allegories follow the same basic plot of the poem: the night opens on the Night of All Souls during World War II when four strangers meet in a bar on Third Avenue. They are Malin, Rosetta, Quant, and Emble.
Malin works for the Canadian Air Force as a medical officier; Rosetta is a Jewish businesswoman; Quant is an elderly Irish clerk; Emble is a college student in the U.S. As they begin their discussion, which turns into an escapist journey, the influential works of the psychologist Carl Jung becomes evident. By using the characters in such a delineated fashion, Auden can more effectively show each facet of the human psyche and its relation towards a more holistic goal. When each character eventually fails to find a solution to human depravity, the message becomes clear that the answer does not lie within some unseen corner of human nature, but rather beyond any part contained by man.
At the beginning of the poem, each character appears engaged within their own private thoughts, each of which contains thoughts of guilt and innocence. As a newscast about World War II interrupts them, each character interprets the War differently, which in turn reveals.
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When it was first published in 1947, The Age of Anxiety-W. Auden's last, longest, and most ambitious book-length poem-immediately struck a powerful chord, capturing the imagination of the cultural moment that it diagnosed and named. Beginning as a conversation among four strangers in a barroom on New York's Third Avenue, Auden's analysis of Western culture during the Second World War won the Pulitzer Prize and inspired a symphony by Leonard Bernstein as well as a ballet by Jerome Robbins. Yet reviews of the poem were sharply divided, and today, despite its continuing fame, it is unjustly neglected by readers.
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This volume-the first annotated, critical edition of the poem-introduces this important work to a new generation of readers by putting it in historical and biographical context and elucidating its difficulties. Alan Jacobs's introduction and thorough annotations help today's readers understand and appreciate the full richness of a poem that contains some of Auden's most powerful and beautiful verse, and that still deserves a central place in the canon of twentieth-century poetry. First published in 2011. Alan Jacobs is the Clyde S. Kilby Professor of English at Wheaton College in Illinois. His books include Original Sin: A Cultural History, The Narnian: The Life and Imagination of C.
Lewis, and What Became of Wystan: Change and Continuity in Auden's Poetry. 'Princeton University Press's new critical, annotated edition of The Age of Anxiety seeks to repair and renew contemporary readers' relationship with the poem.
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That it should triumphantly succeed in this task, however, has less to do with unraveling the poem's intricacies than with clearly showing how its many knots are tied. In an expansive preface and through rigorous textual notes, editor and Auden scholar Alan Jacobs outlines the circumstances of the poem's composition, traces the relations between psychology and religious belief as they play out in the text, and firmly situates the work in its historical moment. It can only be hoped that this handsome new edition brings The Age of Anxiety to a new 'pitiful handful'. Those lucky few will discover in its pages one of the last century's great, and greatly neglected, poems.' -Geordie Williamson, Australian.