Sergio Mendes - Arara MP3 Music Download. Rip is a free option on select CD's displaying the Pre. This option allows you to download the MP3 version of. Sergio Mendes album Arara is a good music album, Arara release at Feb 14, 1989, song365 provider the album download and streaming service.

• Sergio Mendes Alibis

I'm maybe not the biggest collector, but I am persistent. Joining this forum in 1997, I was overjoyed to find some links to import CDs with Sergio Mendes and his various groups and to add much to my CD collection.

But I was also dismayed that several posters talked of a box set, SERIE GRANDES NOMES, which apparently came and went back in 1995. I was never able to find it anywhere for sale, and it was barely mentioned anywhere. Nearly two decades of searching is finally about to pay off as today I found that box set listed on eBay. And it's still sealed to boot!

I was always prepared, if I ever found that set, to cough up around $100 or so, but this, even with shipping was less than that, so I think I did OK. Looking forward to its arrival. Im not the biggest fan either but im happy to say since age 14 ive been a fan of Brasil 66 i have no vinyl anymore. But i have all the Brasil 66 Cds including greatest hits. Foursider and Classics A few needledrop cds of brasil77 and proper Cds except Primal roots and vintage 74.

Sergio Mendes Alibis

And i have one brasil 88 cd 'magic lady' on a cd two fer with his Elektra self titled cd along with both brasil 65 releases on capitol and atlantic the capitol cd also has a Wanda de sah solo album as a two fer the atlantic is a 3 fer with live at el matador paired with ' Pele' and ' Favorite things' all the atlantic instrumental jazz cd reissues and needledrops of all his 80s albums except arara. Then brasilero and oceano cds and the cds from Timeless to Bom tempo. And after that i decided his modern stuff just wasnt as good as his older music. ( (I'm Sorry Sergio with all due respect) I would like to see him do some more jazz instrumentals these days i really enjoyed those he did pre A&M. But nevertheless im happy i have what i have. Click to expand.I have that set. I remember being giddy with excitement when I first heard about it - I figured, with that many disks, it was BOUND to have most or all of the Sergio tracks I'd longed to get on CD.

(I forget where I ordered it, but the website didn't list the tracks so I just went on faith.) And indeed it did have most of them, although one of my biggest favorites, 'Sometimes in Winter,' was missing. Still, it's a really nice set, has a lot of good pictures too. I've found it covers pretty much my whole need for pre-A&M Sergio. I do wish there was a translation of the Japanese text though! After that set, the next Sergio 'holy grail' was that British 'Very Best of Sergio Mendes & Brasil '66' set, which contained the vast majority of the music. For quite a while I was pretty sure that would be the extent of Brasil '66 to ever get released on CD, but then awhile later the Japanese saved the day again with reissues of just about all the albums.

My favorite Sergio items are my 'LP replica' issues of many of the albums, especially Primal Roots and Stillness. I still remember a dozen or so years ago when we had a huge run on Dusty Groove when those Japan Brasil '66 CDs were released. With that and other A&M rarities coming from Japan, Dusty Groove was like the Holy Land for some of us. They carry a lot of out-of-the-way stuff, even on LP, records you won't find outside of Brazil or Latin America, rare US funk and soul, blues, you name it.

The cool thing is, when they had albums listed on their site, they gave a little synopsis of each title, and you could tell whoever ran the store was a musical fanatic. If I get time the day before AXPONA I am making a point to pay them a visit. I'm arriving the day before the show, hopefully by noon, so that will give me a few hours to hit a couple of stores, have dinner, and maybe visit another afterward. I'm told by my buddy in Chicago that I'll enjoy the store.

That box set arrived a couple of weeks ago, and true to its ad, was still sealed. However, the glue that held the plastic disc holders to the front and back inside covers had dried up and those plastic trays were totally loose when I opened the set. Temporarily, I've used some double-sided tape to keep them from flying all over the place. Our old friend Paula had made copies of Discs Two and Three for me, so I already knew how the set sounded.

Disc One contains most of the pre-66 stuff, and the fourth disc has the latter-day stuff from A&M and Elektra. By HOAG LEVINS Of The Inquirer Staff​ In a rare moment Sunday night, the Academy of Music became a temporary foot bridge across the generation gap as young and old found common ground in an area where they are usually farthest apart: music. It was a full house, containing as many starched collars as it did bellbottoms, that greeted Sergio Mendes and his Brasil '66 group on their third Phila- delphia appearance in as many years. And it was nothing but smiles and mutual delight for all ages who found themselves swaying or tapping along to the jazz-cum-Latin arrange- ments with catchy rhythms, but gentle impact. ALPERT PROTEGE Mendes, who came to fame in 1966 as a protege of Herb Alpert has come into his own right as a star and each number during Sunday's hour-long show was greeted with thundering applause.

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His music has a strange haunting quality that defies placement in a category. It is an unusual blending of classical, bossa nova and jazz bags Mendes has been in and out of during his years on musical travel from South America to the top of the American musical heap.

STRUCTURE DRAMATIC The diminutive Brazilian car- ries a heavy load on stage with only an electric bass and two drummers to back up his piano work. It poses no problem, though, and his liquid finger work and rhythm-within-a- rhythm techniques would make a blind man swear it was really two pianists playing instead of one. The dramatic structures of al- most all of Brasil '66's songs such as 'What The World Needs Now,' and 'Norwegian Wood,' add a feeling of suspense and a sense of urgency, that lift an audience out of a passive watcher's role. It's drumming fingers and tapping feet all along.

LATIN SPICE Out front on stage and adding visual appeal are two longhair- ed vocalists whose sultry lyric work comes near to being vocal erotica. They manage well to project much of the spice that is Latin music into numbers such as 'Dock Of The Bay,' 'Fool On The Hill' and 'The Look Of Love.' Theirs was one of the most refreshing performances seen at the Academy this year.

Accompanying Brasil '66 was Bossa Rio. The sextet did a lively job of loosening the crowd up as the show opened.

COMEDIAN APPEARS Into a very Latin-oriented sound, similar to Mendes's, the group did well on such numbers as 'Eleanor Rigby' and 'San Jose'. Sandwiched between the music was comedian Don Sherman, who won the audience with his opening 'Philadelphia is the gateway to Camden.' The balding Sherman, with mutton chop sideburns and a walrus moustache took jabs at religious groups and pulled peals of laughter out of the crowd.

For an old Kodak camera, truly awesome shots of Lani and Janis and the gang! Thanks for posting. I am an old sentimentalist and it is great to go down memory lane! I was 18 years old in the summer of 1967, and I consider myself one of the lucky ones to have followed Brasil 66 from its very start.

The younger guys-many not even born- missed out on the original excitement of this new sound from Brasil 66. It is a great feeling to say 'I was there' when a new musical sound began.

It was great to have been a teenager in the 1960s listening to this incredible music. For me, the epitome of Brasil 66 was Janis singing lead on the 'Look of Love' and Lani's solo vocal on 'Like a Lover'-two perfect musical bookends.